Good Bait from the Coltrane Station

I recently acquired a lot of new music, on vinyl and CD. My mother moved out of the house we’d lived
in since 1958, and gave me a lifetime’s collection. The vinyl included some iconic recordings from my
childhood. There are albums from Jonathan Winters, Frank Sinatra, and the Baja Marimba Band, not to
mention Beethoven and Bach.

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WORLD TENDERLOIN CHAMPIONSHIP AT THIS YEAR’S JOESTOCK FESTIVAL!

I’m the dummy that spent good money trademarking the phrase, “St. Joseph, Missouri – Tenderloin Capital of the World!” Admittedly, a blatant, tourism come-on, I mainly did it because nobody else was.

Like so many of my brainstorms, I didn’t know what I was getting into.

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The Butterfly Effect: Post-WWII Music Part 1

Music, probably more so than any other art form, is driven by technology. Early 20th century composers like Ferruccio Busoni envisioned a time when music would be able to “follow the line of the rainbow” by not being tied to any rules or the specific instruments of his time. With the invention in 1906 of the triode aubion tube, music slowly, but very surely, began losing the “weights” and laws previously applied to it. But it wasn’t until the invention of magnetic tape recording that the dream of a truly “free” music began being met…

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